Abstract
In recent years, with the increasing number of films about marginal characters,
there are more and more studies on marginal characters. Most of the marginal figures
appeared in China's transition period, and appeared in large numbers in unobtrusive
corners of the city. They had no right to speak and were derailed from normal life. As a
leader of the new generation of directors, Jia Zhangke used the lens to record their real
lives, and the images they portrayed are also very delicat
浅析《三峡好人》中的边缘人物形象-6301字.pdf