Abstract
With the rapid development of China's economy and culture, and the audience's demand
for aesthetic diversity, many types of domestic films have emerged in recent years, among w
hich the animated films adapted from traditional texts are particularly prominent. No matter f
rom the pilot of Monkey King: Hero is Back, or the success of Ne Zha in both public praise a
nd box office, Chinese animated films are gradually exploring a path of their own. By means
of literature research, case ana
中国动画电影中传统文本的改编与传播-7735字.pdf